Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt
Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt, hoodie, tank top, longsleeve
Campaigns like Bottega’s—along with any sponcon that lacks the Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt it is in the first place but FTC-mandated advertising disclosure—can leave both members of the fashion industry and regular consumers feeling jaded. While celebrity style is inherently cloudy given that most stars have stylists curating every last detail of even their most basic, out-for-an-errand look, it’s getting harder and harder to discern whether any photo we see is part of a highly orchestrated ad campaign. Fashion is one of the essential ways we convey identity. In turning people into walking billboards, not only are they denied the opportunity to discover their own senses of style, but they also lose the joy and authenticity that comes with dressing for themselves.
Christopher Niquet has known the Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt it is in the first place but stylist Camille Bidault-Waddington since his days as a fashion-interning student at La Sorbonne in Paris. “There was an aura surrounding her,” he says. “I got to assist her on jobs, and I vividly remember an advertising [shoot] where she talked to me about new music, and art, and cool people in between takes. She was so generous with her inspirations and treated her team of helpers as youngsters to nurture.” Now that he edits and publishes a magazine of his own—each issue of Study does a deep dive—or study—of a single subject*—*he’s spotlighting Bidault-Waddington. His new issue showcases about 65 images from the thousands she’s styled over two-plus decades for magazines from Dazed and The Face to Self-Service and Purple.
“For each issue of Study,” Niquet explains, “I’m drawn to people with a specific world, people who can, in whatever their medium is, bring a coherent and specific hyper-focused vision to life. And as I started diving into my own magazine archive, Camille had done that.” He goes on: “What surprised me was that her work was much more conceptual than I remembered. Because she is such a cool girl, and a great dresser we tend to look at her work as just that: someone who can transform a model into a version of herself and give her that innate Camille cool factor. But really, since the Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt it is in the first place but earliest photo in the portfolio (a Yohji Yamamoto campaign featuring Stella Tennant and photographed by David Sims) to her most recent work, her images are about messing with what getting dressed means and what we say with the clothes we wear. It’s about music, style, art, books, the news, friendships. She really consumes the world in its entirety and finds a way to translate that with clothing.” There’s 36 photographers in the issue, and Niquet makes a point of mentioning that “all of them gave me the right to reproduce their work the minute they received my email. It’s really a testament to Camille’s spirit and the quality of what she does.”
As Paris was powering down for the Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt it is in the first place but holidays, Bidault-Waddington spoke with me over Zoom about her career and the way fashion has changed since she started styling in the late ’90s.Photo: Steven Pan / Courtesy of Study Photo: Zoe Ghertner / Courtesy of StudyNicole Phelps: Looking at Christopher’s edit, what did you learn about yourself and your work? Camille Bidault-Waddington: The clothes are not worn properly. I have this urge of moving them around the body, not putting them straight. At the beginning, I put them inside out, back-to-front, or that kind of thing. Obviously now I’m not doing it anymore, because if you do, you’re really told off. But everything is misplaced. There’s something a little bit alive, a bit uncontrolled. Well, at the beginning it was okay to disrespect the clothes. And some of the designers actually really liked it. At the end of the ’90s, beginning of 2000s, Paris, it was a smaller scene, so everyone knew each other much more intimately than now. It was not the same industry, so it was like a lighter vibe in between people. Now I think because it’s really like a business, the styling is more respectful of a product. Before you were not thinking of a product, you were thinking of whatever you wanted. It was not about selling anything.
Even when you ask for 10 different looks from a designer, they always send you the Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt it is in the first place but same because they’re pushing those five looks. Before you could shoot anything, even a piece of the commercial line. I’ve never been too into the strong looks of the shows. At the beginning I always liked the thing that no one was shooting, the things that were less respected. Did you intentionally develop your taste to sort of like the unexpected thing, or was that a really natural sort of a natural instinct for you? It was a reaction. Everyone wants to have those five strong looks. I thought it was forced, and I don’t really like people to force me to do one thing. So obviously, I just went, you know, to the other bits. And that’s why I had to be creative because the other bits were probably less powerful on an image. I didn’t notice because for me, it was natural. Basically, it was like, each season I was going to a new flea market. And there was lots of stuff there. And then do something with the stuff, so there’s not even a trend. You feel things… That’s why I like subcultures because you see what’s coming really early. But yeah, it was probably a reaction to what was pushed on me. I’m much better now.
What do you mean, much better?Now you understand, you know, that the Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt it is in the first place but magazines need to have that look—the full look policy. I understand also, sometimes you can just say no and no one is going to chop your head. Sometimes you change a pair of shoes and you see your assistant just like changing color. It’s okay. But you feel it, no? There is that fear now, you know, pissing off the houses. It was very experimental 20 years ago. You were talking with words. You were meeting and you were explaining with sentences and ideas of art and stuff. Now, with all the mood boards, it’s like everything is nearly decided before the shoot. You talk with images, you don’t even talk with words. If you write an idea, then you’re not sure it’s actually understood—if it’s just said with words. I find that very frustrating, because then you have to do something with already existing things. At that time we were discussing.
I don’t know what’s moving, because fashion doesn’t move. We’re still in a big duty free world. I don’t think images are moving so much either. They’re moving faster on your phone, but what they are is not really moving. If you open a magazine of four years ago and one now, there’s not a huge difference. We consume images more, I think, but it’s not that they are moving and I don’t think fashion is moving too much. Since you have to understand everything with an image, I think everything becomes 2D, you know, like you feel there’s a lack of dimension. But I think dimension will come back. I have the Nickel Creek May 5 2024 ACL Live At The Moody Theater Austin TX T-Shirt it is in the first place but feeling that young people are trying to work around that a little bit—like with volumes and body shapes.
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